Περιεχόμενα Editorial Note: The Glo-c-ality of the Greek Classics, Savas Patsalidis The Ancient Greek Democratic Ideal and its Relevance for Today’s World, Heinz-Uwe Haus The Trojan War on the Contemporary Western Stage: Transversal Readings, Sylvie Jouanny The Reception of Ancient Greek Tragedy in Late Modernity: From the Citizen Viewer of the City-State to the Consumer Viewer of the Global Cosmopolis, Theodoros Grammatas The Unapologetic Seduction of Form: Texts as Pretexts in Postmodern Versions of(f) Greek Tragedy, Avra Sidiropoulou Bodies, Back from Exile, Freddy Decreus Ancient Tragedy: Between Post-Modernism and “Transfer”, Menelaos Givalos Post-poetics Culture, or, Pre-conscious Ferocity, Yannis Papadopoulos The Philosophical Language of Dramatic Art as a Moral Vehicle Towards a Reading of Crisis and Self-awareness: The Dialectical Embrace of Dramatic Art and Philosophy as a Reflection and Challenge Upon Crisis, Katerina Karamitrou Iakovos Kambanellis’ The Supper: Heterotopia, Intertextuality and Metatheater in a Modern Tragic Trilogy, Vayos Liapis The Translator’s Invisibility: Handling Iron, J. Michael Walton Book Reviews Reimagining Greek Tragedy on the American Stage, (by Helene Foley), Reviewed by Dorothy Chansky Authoring Performance. The Director in Contemporary Theatre, (by Avra Sidiropoulou) Reviewed by Freddy Decreus Dionysus Resurrected: Performances of Euripides’ The Bacchae in a Globalizing World (by Erika Fischer-Lichte), Reviewed by J. Michael Walton John Florio. The Man Who Was Shakespeare, (by Lamberto Tassinari), Reviewed by Xenia Georgopoulou